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HOTELS & RESTAURANTS, beyond mainstream

Interior design is no longer enough. Explaining Tim Mutton’s all-embracing approach to hospitality and F&B.

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According to Tim Mutton, the responsibility of an interior designer goes far beyond the literal definition of his role. His career began with projects in the entertainment industry, from nightclubs to bars. Later, and despite voices in the industry suggesting that if he had started designing nightclubs and bars then he had to continue designing only nightclubs and bars, he started working on restaurants. Finally, he made his entry into the hospitality business, where he brought his wealth of experience and his signature all-encompassing approach. Although the value of experience as immersion and escape from everyday life has reached the common vocabulary of hospitality in recent years, it has always been part of Tim Mutton’s glossary. Since he founded Blacksheep in 2002, many things have changed, but his approach devoted to people, experience and innovation has remained so. Tim Mutton’s all-encompassing attitude, the evolutions in the A&D industry of the last twenty years, new sustainable perspectives and much more are the themes of this extensive interview.

St. Regis, San Francisco, USA, Blacksheep <br />Image copyright: @Blacksheep
St. Regis, San Francisco, USA, Blacksheep
Image copyright: @Blacksheep
St. Regis, San Francisco, USA, Blacksheep <br />Image copyright: @Blacksheep
St. Regis, San Francisco, USA, Blacksheep
Image copyright: @Blacksheep

How has hospitality changed from the beginning of your career to today? Which significant changes have occured in recent years?

It is a good question to start with. A nice thought-provoking opening question. To give a little context, I graduated in 1996. Between this date and the year I opened my business in 2002, I started entering the world of design with my first job. I often think about the significant difference between when I started, and then when I set up the business and where I am now. In essence, you can identify three periods in my journey, summarized in two words: variety and pace. When I opened my business the first projects I worked on were nightclubs. Later, I started working at bars as well, and for some time these were the only categories on which my design could focus. Then, I was interested in the business of restaurants and I was told that I had only designed bars and nightclubs, so I could not know anything about restaurants. However, eventually, I started designing restaurants. At that point, the next step was the hotel world, which took me some time to get into its business. 

At the time it was normal timing. Today, there is such a variety of brands and categories of hotels and restaurants, and everything runs at such a speed, that it is difficult to keep up with progress. Even the entire entertainment industry has seen a total revolution, and nightclubs have almost disappeared. With competitive socialization, new leisure-related activities not yet discussed in 2002 emerged. Therefore, I think the biggest difference between then and now is the rate of change: if twenty-five years ago it was moving at a pace of five or ten years, today it is less than two. I look around and I only see new things coming out.

Already at the end of 2023 there was thought of changes in the year ahead. What will happen in the high streets? What new brands will enter the hotel industry? What new concepts will shape it? It is not just small variations of something that already existed. I think the pace of change and its priorities is faster than it has ever been. This results in a more exciting experience on the one hand. On the other hand, it makes long-term predictions difficult. Having to adapt to movements that sometimes are lightning fast, brands and design studios have to become more and more flexible.

Looking at the future of the sector, what directions to you think it is taking? What new developments do you expect?

At the moment the conversations of brands and developers revolve around time and cost issues. Construction costs, especially when it is about new buildings, are significant due to rising interest rates, which, in turn, affect material costs. The research must therefore focus on all-round concepts that adapt to the times and costs of the present. Who will be able to make changes in their modus operandi not at the expense of experience or narrative will go forward. In short, who will succeed will be the ones smart enough to capitalize on the increase in costs and expedite processes in certain time frames.

As an agency, we also need to think about our own process and the changes that need to be made to its management. Today, they all require projects to be delivered quickly and with value. There remains the need for creative minds, able to face the problems on the field and to adapt to brands that do not have the luxury of time. It is a changing world, a different world, and I sincerely believe that it will remain so. Implementing the great concepts to get value beyond the difficulties of time and cost was therefore the number one conversation of the end and beginning of the year.

Prince de Galles, Paris, France, Blacksheep <br />Image copyright: @Blacksheep
Prince de Galles, Paris, France, Blacksheep
Image copyright: @Blacksheep
Prince de Galles, Paris, France, Blacksheep <br />Image copyright: @Blacksheep
Prince de Galles, Paris, France, Blacksheep
Image copyright: @Blacksheep

What does "immersive experience" in hospitality means? What are its characteristics? 

“Immersive experience” in hospitality is the equivalent of a specific word, that is absorption. It means being absorbed in an experience. It is, from the studio’s point of view, designing in a comprehensive and engaging way. This design method has always been part of the philosophy of Blacksheep, which has always taken care of every single element with which the guest comes into contact in order to enhance the communication between the brand and the guests. When I opened the business about twenty years ago I felt that my role in the projects was limited, and I knew I had to go above and beyond this limit. In this, however, I was lucky because of the relationships I established with the owners of the structures, who often asked me opinions on aspects that did not concern me directly, such as uniforms or the graphics of the menus. And I often pointed out that these details were not aligned with the brand experience.

Several years have passed and today most brands are still looking for a perfect and coherent narrative. No matter what it is, it has to be about every facet of the brand experience. And if there is a gap or inconsistency here, then you are not communicating the brand experience and you are destined to remain behind. Several brands believe they offer an immersive experience, when in fact they do not. In the digital field, for example, significant developments are taking place, the importance of which is no less than the physical sphere. By merging the digital and the physical you can achieve something really exciting, an immersive experience at three hundred and sixty degrees. Yet many still see them separately. When we ask our customers about the manifestation of their digital experience, we are often told that this is already set. Well, for us designers that aspect must be solved in a way consistent with the physical side, otherwise you cannot really talk about immersive experience.

What are the main sources of inspiration of your work? In what areas not strictly connected to hospitality do you search for new ideas? 

I could quote several sources, but I would say that the number one are people. I consider myself an individual who loves people, and therefore finds inspiration just by meeting people and appreciating their different facets. Whether it is a person in the industry or outside, a casual or scheduled meeting, I find satisfaction simply in opening conversations. It could be an unhappy dialogue that nevertheless turns a thought on something that can be improved in the hospitality industry. I often travel, for business and pleasure, and often find myself talking to those sitting next to me about their preferences on the menu. I try to get to know and learn from all those who are somehow linked to that experience to open my curious mind to new knowledge. Experimenting, challenging myself and, hopefully, developing an opinion are the steps of my creative process, which arises precisely from the interaction with the other.

Prince de Galles, Paris, France, Blacksheep <br />Image copyright: @Blacksheep
Prince de Galles, Paris, France, Blacksheep
Image copyright: @Blacksheep
The Glenlivet Distillery, Ballindalloch, Scotland, Blacksheep <br />Image copyright: @Blacksheep
The Glenlivet Distillery, Ballindalloch, Scotland, Blacksheep
Image copyright: @Blacksheep

Hospitality and F&D: What relationship binds them? How does this relationship present itself today and how is the face of hospitality changing? 

The relationship between hospitality and F&B is really intertwined. I believe that there are intrinsic values shared by the two, which bind and differentiate them from other sectors. During my career I have tried residential, commercial and retail, but in the end I have always returned to hospitality. In fact, in this area there is a sense of respect, a generosity, a commitment to quality, trust and reputation that is found in equal measure only in another sector, the F&B. The generosity of which I speak is that which leads this type of enterprise to go beyond in terms of guest service, beyond the established parameters, to plunge into complexity. Of course there are differences between the single business models, but at the same time they are intrinsically linked in the values. When I think about my work, the different facets of what we are designing, and how to improve brands, it is all about values in the end.

What are the types of services most sought after by guests and consumers of the high-end hospitality industry today?

I believe that in the contemporary age in which we find ourselves, the service that guests seek the most is seamlessness. Unlike retail, which has had to deal with the technological innovations from the birth of e-commerce, the hospitality industry has remained rather traditional. Today, what the consumer wants is those aspects of a somehow clumsy tradition to be removed. Whether it is seamlessness in terms of a value or a luxury, it is what everyone demands. Actions that today require three different steps must be completed in a single step, from banal topics like lighting system control to more complex issues. Some time ago I was near a house where a smart digital assistant was asked to turn on the kettle and change the lights with a single voice command. In some hospitality environments we are not yet at this point, but this is where we must aim.

How does contemporary luxury combine with sustainability, both in materials and processes?

We could spend an entire afternoon debating this issue and, in fact, I think it would be worth doing so. To be honest, as a business, we are still in the process of writing our philosophy on how to address this problem that affects everyone nowadays. Our planet is burning, we are polluting the seas, and in the meantime, for every little thing you can think of in relation to what our industry could do, and it is not doing, we have to act. Even about Blacksheep, I am constantly wondering what we could do more, and the margins of action are constantly expanding.

I do not have a definite answer to that, but I think energy is a massive problem that we are not tackling. I find it in different forms. For example, I continually see luxury projects in which the use of natural materials of rare beauty is specified. And as I read this, I think about how we are still extracting resources from the earth to put it into projects. We recognise what are sustainable materials, what are the ethical issues around materials, how to replace traditional materials with others respectful of the earth, yet we find ourselves extracting marble from the side of the Earth. In this way we are only diminishing the resources on the planet, making it smaller and smaller. In this I see an energy problem. The whole process of extraction and realization is really wasteful. I therefore think that there must be more alternatives and restrictive guidelines.

Tim Mutton <br/> Founder of Blacksheep
Tim Mutton
Founder of Blacksheep
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blacksheep-logo.jpg
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