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INTERIOR & DÉCOR, but with a twist

A total approach design philosophy in NOA’s Silente Collection

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Creating concepts that develop on different scales. This is the design challenge posed by the collective of architects and interior designers NOA to give life to coherent and substantial creations. We have seen it tangibly in the Valentinerhof hotel, for which NOA collaborated with master glassmaker Jakob Maurer for the glass installations that now adorn its entrance, and, more recently, in the projects of Olympic and Apfelhotel Torgglerhof where, together with sculptor David Gasser, they engaged in the creation of two stone fountains. Therefore, a total approach to the project, moving between the scales of architecture, interior design, and furnishings, often in collaboration with renowned craftsmen, manufacturers, and product designers, and which we find again in the Monastero Arx Vivendi hotel.

Silente Collection, Monastero Arx Vivendi hotel, Arco, Trento, Italy, NOA <br /> Image copyright: @AlexFilz
Silente Collection, Monastero Arx Vivendi hotel, Arco, Trento, Italy, NOA
Image copyright: @AlexFilz
Silente Collection, Monastero Arx Vivendi hotel, Arco, Trento, Italy, NOA <br /> Image copyright: @AlexFilz
Silente Collection, Monastero Arx Vivendi hotel, Arco, Trento, Italy, NOA
Image copyright: @AlexFilz

Completed in 2021, and already awarded several recognitions, it is a former monastery dating back to the 17th century, located in the municipality of Arco, on Lake Garda. The spaces of the historic building, characterized by a monumental layout, have been converted into a highly comfortable hotel that, despite its renovated appearance, has remained faithful to the original face of the place. The somewhat muffled atmospheres of the ancient monk cells and the climate of peace and meditation of the garden have indeed been preserved in the new hotel form.

In continuity with the total approach to the project, which has always defined NOA’s modus operandi, the studio also took care of the design and realization of three custom furnishings in collaboration with external companies. These include a set of lamps and a table with seating, which, due to the great appreciation received, have been reproduced and are now available for online purchase.

Silente Collection, Monastero Arx Vivendi hotel, Arco, Trento, Italy, NOA <br /> Image copyright: @AlexFilz
Silente Collection, Monastero Arx Vivendi hotel, Arco, Trento, Italy, NOA
Image copyright: @AlexFilz
ISilente Collection, Monastero Arx Vivendi hotel, Arco, Trento, Italy, NOA <br /> Image copyright: @AlexFilz
ISilente Collection, Monastero Arx Vivendi hotel, Arco, Trento, Italy, NOA
Image copyright: @AlexFilz

Made of powder-coated galvanized steel and characterized by a large circular plate on which the bulb is mounted, the Silente lamps directly refer to the ecclesiastical hat known as “Saturno”. This allegorical play of references between design and context is the result of the collaboration between NOA and the lighting company Lichtstudio. As explained by interior designer Niccolò Panzani, in the design of the lamps, they wanted to seek a form of contrast between the formal rigor of the past permeating the structure and the geometry of more contemporary lines: “The public spaces of the monastery exude a formal rigor and grandeur that mirror the time and the context for which it was built. In designing the new lamps, we sought a strong contrast through lines with a contemporary edge, yet always sticking to the concept of geometric rigor, essentiality, and monochrome”.

Silente Lamp sketch <br /> Image copyright: @NOA
Silente Lamp sketch
Image copyright: @NOA
Silente Chair sketch <br /> Image copyright: @NOA
Silente Chair sketch
Image copyright: @NOA

The Silente table and chair, the result of the collaboration between NOA and Enrico Girotti, founder of the Italian brand lapiegaWD, were designed for one of the most fascinating spaces of Monastero Arx Vivendi hotel, namely the internal garden. Bounded by an eight-meter perimeter wall, it replaces the more common cloister and embodies the atmosphere of peace and serenity of the former convent. Between the garden and the perimeter wall, there is a millstream with an old restored mill, a colonnade, and a covered terrace which, in spring and summer season, offers a small green Eden where one can sit and linger. Also for this second collaboration, they opted for the terms of monochromatic essentiality and contrast. The black metal of the tables and chairs creates a pleasant play of contradictions with the lime-coloured plaster of the background wall. Finally, the metal worked as a thin wire coiling upon itself – an identifying symbol of lapiegaWD – contributes to the aesthetic rigor and cleanliness of forms.

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