Design Courier

HOME   |

INSIDERS

Art, beauty and architecture according to Gulla Jonsdottir

cover-gulla-medelhan-design-courier.jpg

According to Gulla Jonsdottir a red thread connects art, life and architecture. The eponymous studio she founded in Los Angeles reflects this thought, translating into projects in harmony with the nature and beauty of the places where they are located. Counting a series of important projects in the USA, Japan, Mexico, Iceland, Paris, Beirut, Bahamas and China, as well as many awards and recognitions, Gulla is an authoritative voice of the contemporary context to listen to and learn from.

Esperanza, Manhattan Beach, California, Atelier Gulla Jonsdottir <br />Image copyright: @Atelier Gulla Jonsdottir
Esperanza, Manhattan Beach, California, Atelier Gulla Jonsdottir
Image copyright: @Atelier Gulla Jonsdottir
Palmilla Cucina y Tequileria, Hermosa Beach, California, Atelier Gulla Jonsdottir <br />Image copyright: @Atelier Gulla Jonsdottir
Palmilla Cucina y Tequileria, Hermosa Beach, California, Atelier Gulla Jonsdottir
Image copyright: @Atelier Gulla Jonsdottir

Beauty, functionality and environment: how does a project of harmonious integration between such components take place? 

In the first place, I believe it is fundamental to be site-specific, that is to understand in depth the country, the place and the location. I believe that architecture is both an art and an applied science, where it is possible to combine both aesthetic and functional aspects to create buildings that are both beautiful and functional. Each construction necessarily has a direct impact on the physical environment through the choice of materials and resources. To this must be added a social aspect, as the way buildings are designed affects the social interaction and well-being of all of us. Last but not least, there is the cultural impact, which reflects local values and beliefs thus creating a sense of identity. Therefore, I feel I have a responsibility to create sustainable, socially responsible and culturally sensitive environments. Only in this way can we create spaces that are guided by the nature and the environment of the place. 

"I have always been fascinated by beautiful things". Would you cite and describe to us some of the beautiful things that have fascinated you the most throughout your career?

My first memory of beauty dates back to when I first visited Florence at the age of twelve. I vividly remember walking through the streets of the city looking up and observing the palaces, the cathedral and the art of the city. I was totally intoxicated by this beauty, architecture and history. And this beauty has been with me all my life. Yesterday and today my sources of inspiration remain nature, art, fashion and the cities of the world. I happen to find the right pattern for a wall in a tailored dress, or the shape to give to a staircase in the movements of the human body. There are no straight lines in nature as they are not in the human body, and that is why the forms of my constructions take on this kind of beauty of movement.

Esperanza, Manhattan Beach, California, Atelier Gulla Jonsdottir <br />Image copyright: @Atelier Gulla Jonsdottir
Esperanza, Manhattan Beach, California, Atelier Gulla Jonsdottir
Image copyright: @Atelier Gulla Jonsdottir
Esperanza, Manhattan Beach, California, Atelier Gulla Jonsdottir <br />Image copyright: @Atelier Gulla Jonsdottir
Esperanza, Manhattan Beach, California, Atelier Gulla Jonsdottir
Image copyright: @Atelier Gulla Jonsdottir

Among your objectives you mention "changing the way design and architecture are commonly conceived". What is your personal key to read ing contemporary architectur and design?

According to my vision, the most valuable thing is to work in harmony with nature, inside and out, so that it intertwines with every aspect of the project. I think that when people are on vacation they like to be surrounded by mountains, beaches, greenery or waters, because from the view of nature you can get happiness. That is why I think it is fundamental to involve mother nature in architectural design. To build spaces where people are happy, I feel I have to capture beauty. This is my way of conceiving contemporary architecture.

What definition would you give of "holistic work"?

Holistic means “total, whole, everything” and it refers to a vision of “everything” seen as a unicum and not as the sum of the parts of which it is composed. When I speak of holistic I mean a complete design in the essence of where it started from, inspired by nature to encompass the branding, architecture and interior design. Whether it is a hotel or a restaurant, it is a design that touches every aspect of the project, from the graphics of the menu to the staff uniforms, from the interior finishes to the accessories. Holistic therefore means that everything seems to belong to that place and nothing is out of cue.

Cantina Monarca, Seattle, Washington, Atelier Gulla Jonsdottir <br />Image copyright: @Atelier Gulla Jonsdottir
Cantina Monarca, Seattle, Washington, Atelier Gulla Jonsdottir
Image copyright: @Atelier Gulla Jonsdottir
Cantina Monarca, Seattle, Washington, Atelier Gulla Jonsdottir <br />Image copyright: @Atelier Gulla Jonsdottir
Cantina Monarca, Seattle, Washington, Atelier Gulla Jonsdottir
Image copyright: @Atelier Gulla Jonsdottir

Who are the masters, both from the present and the past, you most look at? 

I do have many idols in architecture. Zaha Hadid, Santiago Calatrava, Oscar Nemeyer and Tadao Ando are the main ones who have my own tendency towards fluid architecture and organic modernism. As for the specific areas of art and design, I have a great passion for Gio Ponte and Piero Lissoni’s works. Many European furniture designers have been an inspiration for my recent furniture collection, tracing a kind of personal guide. If I had to find a red thread linking my inspirations it would be that of a different and out of the box thought. These masters do not follow any trend, but rather set tendencies that belong only to them. In so doing, they inspire other people to explore the lengths of technology and break the boundaries.

Would you speak to us about your sketchbook? 

My preferred sketchbook is the one I bought in Florence. It is handmade in red leather. I believe that to work well and with inspiration it is necessary to have not only the right sketchbook, but also the right pen and be surrounded by the right environment, with a background of good music. In this context I feel that everything flows easily and the pen moves freely on the paper. However, sometimes it happens that I do not have my sketchbook with me in the moments of inspiration: in this case I use what happens to be under my eyes, such as a napkin or a piece of paper.

What are the projects that best represent yout creative approach?

I think the best definition of my creative approach is that of “organic modernism” and the Roosevelt Hotel in Macau well explains such an approach. It is inspired by the most widespread local flower of Macau, the lotus flower, whose shape is found in the architecture and design of the hotel. And the same goes for the Comal restaurant at the Chileno Bay Resort & Residences, where every influence and material comes from the surrounding nature. And then it also came to my mind Le Grand Restaurant in Paris, a starred restaurant inspired by Parisian ladies and the shimmering elegance of the Ville Lumiere. Finally, I want to mention the restaurant Palmilla in Los Angeles, which recentily opened, that explores my fascination with having fun. In it we find my favourite colour of the moment, that is a kind of light terracotta. This is the new me with a more colourful thinking towards the future.

Gulla Jonsdottir <br/> Founder of Atelier Gulla Jonsdottir
Gulla Jonsdottir
Founder of Atelier Gulla Jonsdottir
logo-video.jpg
Magazine Design Courier
Magazine Design Courier

Get Design Courier straight to your inbox

The community magazine for the community
Powered by Medelhan - The Global Design Network
The community magazine for the community
Powered by Medelhan - The Global Design Network
© Design Courier. Powered by Medelhan. Developed by Broadweb.80
The community magazine for the community
Powered by Medelhan - The Global Design Network
The community magazine for the community
Powered by Medelhan - The Global Design Network

Get Design Courier straight to your inbox

© Design Courier. Powered by Medelhan. Developed by Broadweb.80